onefinestay experiences: overview

Dia Beacon | 3 Beekman St, Beacon | Year Round (Thu-Mon 10a-5p) Dia Beacon, Riggio Galleries, © Dia Art Foundation | Photo: Bill Jacobson Studio. Courtesy Dia Art Foundation The converted Nabisco box-printing factory remains one of the most powerful spaces for art in the country. The 2026 schedule is Dia's most ambitious to date, with 12 presentations opening across three exhibition spaces. The headline this spring is Agnes Martin: Painting is not making paintings, which returns Martin'...

The New Museum just doubled in size. On 21 March, the museum reopened with a 60,000-square-foot expansion designed by OMA’s Shohei Shigematsu and Rem Koolhaas, and a monumental inaugural exhibition to fill it. New Humans: Memories of the Future brings together over 200 artists, scientists, filmmakers, and writers to trace how humanity has imagined itself in the face of technological transformation, drawing a striking parallel between the 1920s and the 2020s. The New Museum, view from Prince Stre...

There’s an entire canon of women artists from Eastern Europe whose work has shaped national identities, moved world renowned artists to tears, and survived war, occupation, and erasure. Most of the world has never heard their names. Darya Zorka, writer, artist, and translator behind the Substack newsletter From My Heart, has made it her mission to change that. The Cultivist sat down with her to talk about the women who painted with pressed berries, disguised themselves as men to enter art academ...

Each spring, Dallas Art Week transforms the city into a dynamic nexus of exhibitions, fairs, and cultural gatherings that draw artists, collectors, and curators from across the globe. From major museum surveys to intimate, design-led showcases and exclusive artist encounters, the week offers a layered perspective on contemporary practice today. Here, we've curated an essential guide of what not to miss, spotlighting standout exhibitions, under-the-radar fairs, and insider experiences that d...

For nearly three decades, Hurvin Anderson has been making some of the most compelling paintings in Britain: barbershops, swimming pools, borrowed interiors, colours that arrive like a half-remembered afternoon. We sat down with him ahead of his first major solo show at Tate Britain, on view 26 March through 23 August 2026, to talk about belonging, memory, and the films that taught him how to see. This is your first major solo show, and it spans your entire career, from your student work to new,...